Last time, Sarah and I went to the big island of Hawaii during the late December holiday season. We wanted to avoid touristy things this time around, so we opted for mid-January. It turns out, that’s still peak tourism season, but there were less cruise ship arrivals this time, and we were avoiding tourist things anyway, so it all worked out.
Overall, it was great to see Mom and her friends again, and to hang around the Kona district again. Here are some of my favorite photos:
Besides the impressive visuals that you get with any entry in the Tron franchise, the overall story is very well thought-out with only one cliché episode (protagonist amnesia, my least favorite cliché), but that episode gives the original Tron a chance to shine, so I didn’t complain (much). The series also has some impressive animation, particularly the fight choreography. And, the music is outstanding, composed by Tron: Legacy soundtrack composer Joseph Trapanese (available on Apple Music and Spotify).
It’s hard to pick a stand-out star here, everyone in both the main and recurring casts is brilliant. Disney did a great job here. With that said, this is the first time I’ve heard Paul Reubens as anything other than Pee-wee Herman, as a villain nonetheless, and I was constantly impressed. He has some serious range as Pavel, and it’s practically a case study in why you should avoid typecasting.
I’m conflicted on the ending. It’s not a gentle cliffhanger, like Stargate Universe, it’s quite harsh. Furthermore, despite being developed to bridge the gap between Tron and Tron: Legacy, the ending left me bewildered as to how that could even happen. How does Tron become evil before Tron: Legacy? Where’s Beck and his resistance movement in Tron: Legacy? These seem like important questions that this series is responsible for answering. There’s a pivotal moment in the final episode, events could only go one of two ways. If they went one way, it would have more than answered those questions and the series would have flowed effortlessly into the film, but they didn’t, which is very confusing. Maybe it’s just better to think of that moment as one which spawned an alternate universe. Despite the cliffhanger ending though, the series is well worth watching.
We’ll need more people sharing their voices and experiences this year, so please considering launching your own site with WordPress (and Jetpack) or WordPress.com, or start posting again if you already have one!
Kyōryū Sentai Zyuranger translates as “Dinosaur Squadron Beast Ranger” and follows our heroes as they awaken from a 170-million year hibernation to defeat the recently awoken witch Bandora, played by Machiko Soga.
In comparison to Mighty Morphin Power Rangers, everything is better. The story flows far better, because we aren’t dealing with just disconnected action footage. The music is by far better, because we aren’t dealing with an electric guitar that seems incapable of stopping. The fights are better, because they seamlessly move from fights with the main actors to fights with the transformed suit actors. The cast is excellent too, but if I had to pick one standout, it would be Shiro Izumi as Burai. His story is intense and dramatic. Is this a great show? No. Is it entertaining? Absolutely!
Whereas Gaoranger felt like a live action anime, Zyuranger feels much more like classic martial arts films. There’s a warmth to it that’s not as bright as Gaoranger, but the story is just as intense. There are some very goofy moments, it doesn’t strike as good of a balance between humor and drama as Gaoranger did, but this is a show for children, and it’s nowhere near as goofy as Mighty Morphin Power Rangers. Oh yes, and Bandora likes to sing about herself … a lot. It’s odd, but I’ll allow it.
I recommend starting at the beginning, but if you want a smaller set of episodes to try out, I recommend Burai’s arc, which starts on episode 17. It’s a particularly goofy episode, but gets quite intense in the last few minutes, and you should be hooked for the remaining arc.
There are many ways to lower your carbon footprint, from simply recycling to outfitting your home with solar panels, but there are somethings you mostly can’t avoid, like air travel. The good news is, you can offset your remaining carbon footprint by donating to a group that plants diverse native trees (non-native monocultures are bad for the planet).
In our case, we chose Trees For The Future, a fully vetted nonprofit group that works to replace monoculture farms with Forest Gardens, which provide diverse, native, and food-producing trees. These trees, besides clearing carbon, provide year-round food and income for the farmers, and are therefore far more protected than most tree planting operations, and it really does work. Plus, they provide a handy calculator so you know exactly how much you need to donate to offset your carbon footprint with them.
Trees For The Future can help you easily climb that final step to carbon neutrality, but what about going carbon negative? That’s where Ecosia comes in. Ecosia is a search engine which uses its proceeds to plant trees all over the world, and they have the financial reports to back it up. Using Ecosia requires no monetary commitment, every 45 searches plants 1 tree. I do a lot of searching for work, so I switched the search engine in my work browser to Ecosia, and we have already planted 8 trees after 2 months.
I’ve done the best I can to limit my carbon footprint, I use Trees For The Future to cover everything else, and Ecosia at work to plant a few extra trees. It’s easy to do, and well worth it.