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Wild Force was the last Power Rangers series I watched, and I couldn’t even make it through. Either it was just that bad, or I was growing out of it. So, I thought I’d start my Super Sentai experience off with Gaorangers, the series that Wild Force used for roughly half of its footage, and I was not disappointed. Hyakujuu Sentai Gaoranger is loosely translated as “Hundred-beasts Squadron Gaoranger,” though if you go by the subtitles during the title song, it could also be “Hundred-beasts Squadron Growl Ranger.”
The ensemble cast is amazing, their chemistry from the start is perfect, and you really get a sense that they all care of each other a great deal (even Yabaiba and TsueTsue). There are two stand-outs not in the main cast that I’d like to mention. Futaro, played by Daiki Arioka, is basically the child form of the team’s god. This kid can really act, he’s great. And finally, Rouki, voiced by Eiji Takemoto with suit actor Shoma Kai. Rouki is one of the “monsters” of the series, but he actually has a back story, character development, and an entire arc. As someone coming to this direct from years of Power Rangers, that is absolutely unheard of. Also, his design is impressive and it allows him to be one of most physical opponents in the series, often battling the Gaorangers directly on the ground.
So, you’ve seen these clips now, and you’re thinking, “That doesn’t look much better than Power Rangers,” and yeah you’re kind of right. Sadly, there just aren’t many clips of this pre-digital era Japanese series with English subtitles, but I assure you this series far exceeds its Power Rangers counterpart. The music is far better (like the music in that last clip), there is actual narrative cohesion when you don’t have to edit out every single minute that looks Japanese, and this series is incredibly dramatic. To give just one example, plenty of people actually die in this series. Early on, most of the Gaorangers are killed in battle (they come back later via a mystical side-quest), but this isn’t some sort of CGI-filled off-screen death. They are brutally killed on-screen. And because that’s not enough, the villains even kill a child on screen. Have you seen any of that on Power Rangers? Nope.
There’s a certain quality to this series too that I can’t quite describe. It’s like a live-action anime. And I know you’re thinking, “Yeah, it’s made in Japan,” but I’ve seen plenty of live action Japanese shows, I even checked out a few other Super Sentai shows too, and they just aren’t like this. Anime tropes shine through constantly, and the show manages a perfect balance of goofy episodes and incredibly serious episodes (sometimes both in the same episode, like that last clip again), kind of like Dragon Ball Z and other anime from that era. But it’s not over-stylized, like live action anime adaptions should be, it’s just anime tropes in a real-world setting, and it’s great.
If you don’t want to dive into all 51 episodes, I recommend at least checking out the Rouki arc, which runs for 10 episodes starting on Episode 15 through 24. If you’d rather watch just one episode to see if you like it, check out Episode 29. I’m pretty sure that either will hook you for the rest of the series. 😉
The show follows a set of occupants from the former Icarus Base who are forced to flee through the base’s Stargate to a mysterious address that the base’s obsessive lead scientist has dialed instead of Earth during the evacuation. The base was on the only planet Earth knew of at the time that could power dialing it, so in that scientist’s view, there was no reason to let it go to waste. Unfortunately, the planet explodes after they go through, leaving them no way to get back to Earth (or get supplies from Earth). They are now stranded several billion lightyears away on Destiny, an Ancient ship with an unknown mission and a predetermined course. They have no way home, they are lost in space, the ship is falling apart, they have no control over it, and they are the wrong people for the job.
That obsessive lead scientist I mentioned is Dr. Nicholas Rush, played by Robert Carlyle. He is exactly where he wants to be, unraveling the mysteries of the universe, and everyone else is just getting in his way. He frequently comes into conflict with the ranking military presence, Colonel Everett Young, played by Louis Ferreira. He’s a kind leader who cares for his people, but he wasn’t supposed to be the one commanding the expedition, and while Rush wants to forge forward to the mysteries of the universe, Young wants to get his people home. They’re balanced out by Ming-Na Wen as Camile Wrey, the ranking representative of the International Oversight Advisory. She often provides a bridge between leadership and the civilians onboard.
One real standout on the show is Eli Wallace, played by David Blue. Eli cracked the code for dialing the mysterious address, a task that Rush begrudgingly could never figure out, so he hid it inside a game that Eli, an unemployed college dropout, just happened to solve. Minutes later, he was visited by Rush and Lt. General Jack O’Neill, beamed up to the U.S.S. George Hammond, dropped off at Icarus Base (with his permission), finished the program to dial the mysterious address, and of course evacuated to Destiny. As the fresh newcomer to this entire experience, he is our analog throughout the series, and in case you ever forget, the only shirt he has says “You are here.” Eli constantly has to prove himself, a task he often excels at, despite being constantly out of his depth. He’s like a son to Young, an unwanted pupil to Rush, and a close friend to everyone on board. He doesn’t want to be there, no one wants to be there, but he’s going to make the most of it.
Yeah, I know, that’s a lot of characters, and this is a huge ensemble cast, so that’s not even half of it. What matters is, these are all the wrong people for the job. Some want to explore, some want to put every resource into going home, and at many times they clash. The bulk of the first season is devoted to figuring out how to work together, how Destiny works, why it randomly stops at system with active Stargates for only a few hours, and where it’s going in the first place. The characters drive the drama here. By the time we get to the second season, everyone knows their place and everyone works together, because they understand this is their life now. Almost sensing that, Destiny reveals her bridge, giving them full control over the ship (thought there is still no way to gate home, and the trip would still take far longer than a human lifespan). This all opens the series up to some more interesting developments.
As mentioned earlier, the show’s cancelation does leave it to end on a cliffhanger. Normally I don’t recommend shows that end on cliffhangers, but it’s by far the most gentle cliffhanger I’ve ever experienced. There is no peril, in fact they are escaping peril, and all we are left with is plenty of time for Eli to solve a problem that we all know he can solve. He even has enough time to look out the window and smile as we fade out. Most folks can easily imagine their own continuation of the series from that point, but if you absolutely must know what could have happened next, the show’s producer covered some of the possibilities.
Stargate Universe was the end of an era for a TV franchise that ran uninterrupted for 14 years from 1997 to 2011. The studio which owned the property switched gears and launched the incredibly low-budget and incredibly terrible Stargate Origins in 2018, which ignored all previous shows, and thankfully appears to have been canceled.
By this point, you’re looking at the image above and saying “that’s not anime,” and I suppose you’re right, but this incredible short film is inspired by both the style and content of My Hero Academia, so it’s definitely a production by an anime fan at least.
Yesterday, Sarah and I visited Star Wars: Galaxy’s Edge again after first visiting a few months ago. This time, we were able to visit Oga’s Cantina a few times, and finally sample most of the drinks. It’s only been a few months sure, but it doesn’t look worn down at all, in fact it looks no different, probably due to the clever choice of basing it on an already worn down location.