Today is Earth Day, a day to reflect on this planet we call home, so it’s a great day to start saving the environment for free and donating to The Conservation Fund.
Also, take the time to consider ways in which you can help the environment yourself with just a few changes to your routine, like switching out your lights for LED bulbs, walking or biking to closer destinations rather than driving, planting a tree or two, and even something as simple as properly separating your recyclables from your trash.
Today is also the global March for Science, so it’s a great day to spend some time outdoors and possible even share your advocacy for science. If today isn’t such a great day for you to enjoy our world outside, at least enjoy this video.
Only one man has to work at Yuletime, and that’s me. There are gifts waiting for your children. Tell them the Santa wears the red and white of Grimsvig. White for the snow of our homeland, red for the blood of the working people who built this town. Your colors.
Klaus is a surprisingly good tale from writer Grant Morrison and artist Dan Mora. I think it’s safe to say that most of us have a read a folklore adaptation or seen a Santa Claus movie that wasn’t even worth the time spent doing so. It’s rare for a creator to take an established icon of folklore and do something completely different with it, and when they do, it’s usually terrible. Klaus, billed as “How Santa Claus Began,” is different.
The imaginative origin story follows a banished soldier who returns to find his hometown under tyrannical control. Fueled by a deep sense of honor and guided by benevolent spirits, Klaus uses his skills as a woodworker and soldier to free his hometown, bring joy to its children, and face off with the fearsome Krampus. The characters are well-developed and believable while the stakes are high and ever-present, both a rarity in such stories, and yet it never manages to lose a subtle sense of levity.
I bought Klaus heavily discounted on impulse simply because the art is great. I didn’t expect much of the story, but I was pleasantly surprised, and found it to be original, fun, engaging, and not heavy-handed in the slightest. The premise is ridiculous, and yet it works beautifully. If you’re looking for a fun and imaginative origin of a folklore icon, Klaus won’t disappoint.
I’m your creator and designer, but that does not make me your family. You have no real family. You aren’t alive. You do understand that, don’t you?
Descender is a beautiful series from writer Jeff Lemire and artist Dustin Nguyen, and in many ways, a coming of age tale both for our young protagonist and civilization itself. Set at some point in the very distant future, when many species have colonized the stars and mostly work together, the story follows a young robot who may have an ancestral connection to the robots who suddenly appeared and wiped out hundreds of millions of lives before vanishing just ten years prior.
The writing is engaging and reminiscent of many of today’s great provocative TV series, while the art is captivating and reminiscent of finely detailed water colors. Throughout the story, you’ll find yourself growing attached to the young robot who seems set on a path to outgrow his programming, while remaining constantly aware of the terrible toll the rest of the galaxy paid for that growth. The story is not as heavy-handed as it seems, rather it is presented with a balance that is delicately maintained throughout, accompanied by an eclectic cast and spread across an energetic plot.
Descender has been running as a monthly series since March of 2015, with three volumes already published and a fourth on the way. You definitely won’t regret diving in, and I’m sure you’ll want to stick around to see how it ends. I certainly do.