Star Wars Infinities: Return of the Jedi

After so long in hibernation, and with damage to the carbonite unit, there’s little hope that Captain Solo will ever regain his sight.

Star Wars Infinities: Return of the Jedi is an adventurous and thought-provoking “What if?” tale by writer Adam Gallardo and artists Ryan Benjamin, Dan Norton, and Juvaun Kirby. It begins in tandem with the original Return of the Jedi script, but when a rescue mission goes terribly wrong, history is forever altered.

The stage is lit, the curtain rises, and the battle for the galaxy begins as we are all too familiar with. But, what is familiar can become unfamiliar in the the blink of an eye. You see, the future is made possible through a series of events, like a chain whose links are defined by the laws of action and reaction. Alter a single link, and the overall position of the chain is altered. Like the position of the chain, the future can be altered by simply altering one of the events that led to it.

On the desert planet of Tatooine, Princess Leia Organa, on a secret rescue mission to free Han Solo in the guise of Boushh the bounty hunter, barters with Jabba the Hutt for the bounty on Chewbacca’s head. When Leia demands “Fifty-thousand, no less,” Jabba angrily lashes out at C-3P0, knocking him to the ground with such force that his head detaches. Without a protocol droid to translate her attempt a Boushh’s native language, Leia is forced to remove her mask and reveal her thermal detonator.

Lando Calrissian, disguised as one of of Jabba’s guards, tries to stop Boba Fett from firing at Leia. He fails, and Fett’s blast hits Leia’s shoulder, accidentally activating the thermal detonator and sending it to the ground.

Events begin to spin wildly out of control as Boba Fett flees with the frozen Han Solo and Leia, Lando, and Chewbacca are forced to flee the palace without Han.

The delay of Han Solo’s rescue will result in the death of Yoda before Luke’s final visit to Dagobah, the capture of both Luke and Leia by Imperial forces, a desperate battle with Boba Fett over the fate of Han Solo, the loss of Han’s eyesight, and a final confrontation between a father and his children.

Star Wars Infinities: Return of the Jedi will introduce you to a Star Wars that you never knew and never thought possible. George Lucas’s script only lasts for one page before Adam Gallardo slightly alters one seemingly insignificant event and ignites a radical domino effect, forever altering history as we know it.

The “What if?” concept has been explored by almost every comic series to date. It gives us a way to experience familiar characters and familiar settings in an unfamiliar way. Will the Empire be defeated? Can the mission to disable the Death Star’s shield succeed without Han Solo’s leadership? Will Darth Vader redeem himself, or will he sacrifice his own children at the will of his master? The possibilities are endless.

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This review was previously published on Splash Panel on September 30, 2006.

Star Wars Infinities: The Empire Strikes Back

Commander Skywalker, do you copy? This is Rogue Two.

Rogue Two, this is Commander Solo. Come in, Rogue Two.

Commander Solo, I read you load and clear. Are you okay, Commander?

Affirmative, Rogue Two. But Luke . . . Luke is dead.

Star Wars Infinities: The Empire Strikes Back is an adventurous and thought-provoking “What if?” tale by writer Dave Land and artist Davidé Fabbri. It begins in tandem with the original The Empire Strikes Back script, but when a hero of the Rebellion dies before he can fulfill his destiny, history is forever altered.

The stage is lit, the curtain rises, and the battle for the galaxy begins as we are all too familiar with. But, what is familiar can become unfamiliar in the the blink of an eye. You see, the future is made possible through a series of events, like a chain whose links are defined by the laws of action and reaction. Alter a single link, and the overall position of the chain is altered. Like the position of the chain, the future can be altered by simply altering one of the events that led to it.

On the desolate ice planet of Hoth, Luke Skywalker patrols the frozen tundra surrounding Echo Base for signs of an Imperial invasion, but little does he know that his own problems are more immediate. A hungry wampa has been following Luke. It suddenly rises before him, severely injuring him and killing his tauntaun. Held captive in the wampa’s cave, Luke manages to free his lightsaber and make a daring escape into the frozen wasteland outside.

Alarmed by Luke’s disappearance, Han Solo mounts a rescue, despite the rapidly decreasing temperature. His tauntaun freezes early on during his search, forcing him to continue the rescue on foot. After several hours, he finds Luke lying face-first in the snow, delirious and near death. Before losing consciousness, Luke orders Han to go to the Dagobah system, find master Yoda, and train as a Jedi Knight. He does not live through the night.

Events begin to spin wildly out of control as a glitch in Echo Base’s shield allows a squadron of TIE fighters to accompany the Imperial invasion force and decimate Rogue Squadron.

Han Solo escapes with Princess Leia Organa, Chewbacca, C-3PO, and R2-D2. His perilous journey to Dagobah will result in the death of Boba Fett, the destruction of Cloud City, a fateful reunion between C-3PO and his maker, the revelation of Luke Skywalker’s twin, and a final confrontation between father and daughter.

Star Wars Infinities: The Empire Strikes Back will introduce you to a Star Wars that you never knew and never thought possible. Dave Land’s intricate story immediately departs from George Lucas’s script as he begins to ingeniously focus on a series of small events whose alterations will have a profound effect on the original course of history.

The “What if?” concept has been explored by almost every comic series to date. It gives us a way to experience familiar characters and familiar settings in an unfamiliar way. Has the Empire crushed the Rebellion? Will Han become a Jedi Knight? Does he have the strength needed to save the galaxy from the Empire, or will he bow before it? The possibilities are endless.

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This review was previously published on Splash Panel on September 23, 2006.

Star Wars Infinities: A New Hope

The torpedoes detonated prematurely, your Highness. I only hope enough damage was done to buy us some time. Princess, you must get to a transport immediately! The future of the Rebellion depends on your safety!

Future? I’ve seen what that battle station can do, General. The Rebellion has no future.

Star Wars Infinities: A New Hope is an adventurous and thought-provoking “What if?” tale by writer Chris Warner and artists Drew Johnson and Al Rio. It begins in tandem with the original A New Hope script, but when a key opportunity for the Rebellion is lost, history is forever altered.

The stage is lit, the curtain rises, and the battle for the galaxy begins as we are all too familiar with. But, what is familiar can become unfamiliar in the the blink of an eye. You see, the future is made possible through a series of events, like a chain whose links are defined by the laws of action and reaction. Alter a single link, and the overall position of the chain is altered. Like the position of the chain, the future can be altered by simply altering one of the events that led to it.

The Death Star looms like the harbinger of death over the Rebel base on Yavin IV. In its equatorial trench, Luke Skywalker begins his finial attack run. He fires his proton torpedoes and retreats to a safe distance with Han Solo and the remaining Rebel fighters, but the expected explosion never comes. The torpedoes had detonated just short of the reactor and the Death Star is still operational.

The Death Star retaliates by firing its primary weapon on Yavin IV, but the Imperial super weapon had sustained some damage from the premature detonation of the torpedoes and only fires with enough power to severely damage the Rebel base. Princess Leia Organa and the remaining Rebels retreat to their transports, but are taken prisoner by Darth Vader.

Luke, distracted by a dogfight on the opposite side of Yavin, believes that the Death Star’s first salvo had destroyed Yavin IV, thus murdering Leia and the rest of the Rebels. Luke and Han escape to Dagobah to find Master Yoda and complete Luke’s training as a Jedi Knight.

Meanwhile, under the care and tutelage of Darth Vader, Leia is appointed to a position as senator in the newly formed Imperial Senate, which she believes will place the Empire on a path to peace. Luke’s destiny as a Jedi and Leia’s place beside Vader will eventually lead to a final confrontation between both brother and sister.

Star Wars Infinities: A New Hope will introduce you to a Star Wars that you never knew and never thought possible. Chris Warner’s story immediately departs from George Lucas’s script into a tale that is just as intricate and captivating as the original.

The “What if?” concept has been explored by almost every comic series to date. It gives us a way to experience familiar characters and familiar settings in an unfamiliar way. Has the Rebellion been destroyed? Will the Empire prevail? Will Luke become a Jedi Knight? Will he save the galaxy, or destroy it? The possibilities are endless.

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This review was previously published on Splash Panel on September 17, 2006.

Reviving Splash Panel Reviews

Quite a long time ago, I joined up with Khaled Abou Alfa (who is now bringing his considerable skills to Moon Racket!) to share reviews of graphic novels on Splash Panel. I contributed eleven reviews overall, but it’s been quite some time indeed, and the site is now just a parked domain, after passing hands between a splog or two.

I thought the reviews were gone for good, besides those stored by the Internet Archive of course, but while cleaning out my backup drive today, I stumbled across backups of all my old reviews!

I have been thinking of some new content for my blog here, and I think I’ll start by polishing and re-publishing those old reviews. Unfortunately, I donated most of the eleven graphic novels to various people/places over time, so I’ll have to figure out what to do about those pre-HiDPI scans in a post-HiDPI world, but I’ll take my time and republish them as best I can.

Why am I writing this first? Well, it will give me something to link on all of the re-published reviews, and it will pretty much force me to actually follow through with this plan. 😉

Review: Pathfinder

I seldom read and rarely enjoy graphic novel adaptations of movies, but Pathfinder is a visual feast from artist Christopher Shy and writer Laeta Kalogridis that is far superior to the film itself.

When director Marcus Nispel contacted artist Christopher Shy and expressed his interest in a film depicting a war between Vikings and Native Americans, Shy began to produce seemingly endless pages of concept art.  So much concept art in fact, that they used all of it to produce the graphic novel adaptation.

Review: The Death and Return of Superman

The Death and Return of Superman, the omnibus edition, is a colossal masterpiece from the collective minds of Dan Jurgens, Karl Kesel, Jerry Ordway, Louise Simonson, Roger Stern, and Gerard Jones. In 746 detailed pages, it deals directly with what it would take to kill a hero, what the world would be like without that hero, and what it would take to bring a hero back to life.

Returning to Splash Panel

Splash Panel is a graphic novel review blog created by Khaled Abou Alfa way back in November of 2005. As a long-time collector of graphic novels, I was lucky enough to be asked to be the first staff writer, and it was a blast. Unfortunately, burn-out set in and I stopped contributing reviews about a year later. Looking back, I’ve recognized the cause of the burn-out, and thought that it would be worth sharing for future reference.

Splash Panel is unique to the graphic novel review scene due to the fact that we don’t publish negative reviews. If we didn’t enjoy reading it, why would you want to read our review? If we reviewed it, we enjoyed it, end of story. What did this have to do with the burn-out? It’s quite simple, really. I reviewed my favorite graphic novel first, eventually followed by my second, and so on. You always hear that phrase about not playing your best hand first, but sure enough I did. Given that we never post negative reviews on Splash Panel, I immediately set a hurdle that I may never pass.

For some reason, this weighed heavily on my ability to write further reviews. The comic industry has changed and perfect graphic novels are few and far between. How do you positively review something without drawing attention to its faults? The point is that most review sites deal with this every day. You can’t expect perfection from everything, so don’t avoid reviewing something just becomes it doesn’t measure up to your standard of perfection.

From now, starting with Spider-Man: The Other, you can expect to see more reviews on Splash Panel. Not only reviews of perfect graphic novels, but reviews of simply entertaining graphic novels as well. As always, no negative reviews will be posted on Splash Panel, but I’m sure that I’ll be sharing a few here just for your enjoyment.

Review: Spider-Man: The Other

Spider-Man: The Other is not your typical comic book death and rebirth story. It’s an immense tale worthy of most high-caliber television series. Woven by writers Peter David, Reginald Hudlin, and J. Michael Straczynski, and illustrated by Mike Wieringo, Pat Lee, and Mike Deodato, Jr., The Other is not without its faults, but it is an in-depth experience not to be missed by any Spider-Man fan.

Review: Spider-Man: Reign

Spider-Man: Reign, from writer and artist Kaare Andrews, is a powerful and emotional journey through the tortured mind of Peter Parker as he enters the last years of his life and begins to confront everything that he has ever cared for and lost.

Review: Transformers / G.I. Joe

Transformers / G.I. Joe is not just another Transformers and G.I. Joe crossover, but rather a dark and war-torn recreation of the Transformers and G.I. Joe universes in tandem by writer John Ney Rieber and artist Jae Lee. In the twentieth century’s darkest year, a world at war will find itself caught in the middle of a titanic alien conflict that has lain dormant for the last four million years.