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Comics Review Video

Batman v Superman: Accidentally Perfect?

Batman v Superman: Dawn of Justice is not the greatest superhero film, that honor still belongs to Logan, but through a series of odd choices and behind the scenes happenstance, it became the perfect comic book film. Now I know a lot of you probably hated this film, so please bear with me while I explain. Also, I’m referring to the Ultimate Edition (the extended cut) throughout. It restores a lot of character development, and I absolutely agree that the theatrical edition is a waste of time.

The film opens on the traditional Batman origin scene, but that’s the only origin we get throughout the film, which is kind of odd for a film that also features Superman, and introduces Wonder Woman and Lex Luthor. Despite this, a lot of time has passed between that origin and the Batman in the film. It’s never explained why Wayne Manor is in ruins, or why all of the Bat-vehicles have two seats while Robin’s costume sits in memorial with “Haha, joke’s on you, Batman” scrawled on it. It’s safe to say that, despite seeing an origin for Batman, we are missing some critical backstory.

With Ben Affleck done as Batman, it’s unlikely we’ll ever see this backstory, or any further story featuring this Batman after Justice League for that matter. Similarly, though this is a sequel for Man of Steel, watching that film is definitely not a requirement. The ending of Man of Steel overlaps the beginning of Batman v Superman, this time told from Bruce Wayne’s point of view, as embedded below. Really, all you need to know is that Superman is fighting someone who’s probably just as strong as him, and people are dying because of it.

And, that’s kind of the point here, there isn’t much effort given to the backstories of these characters, and it’s not really needed either. Now if you say that sounds terrible for a film, you’re right, but this is exactly how we read comics! People who are drawn in suddenly by issue 37 on the shelves don’t rush out to buy and read issues 1 – 36, they just start with 37. “Who’s this character? I don’t know, but she looks important. Oh cool, she is important!” That’s what reading new comics is like, and this film accidentally invokes that!

Now we know that Ben Affleck is out as Batman, but it looks like Henry Cavill may be out as Superman too, which puts the whole franchise in jeopardy, so there may not be an ending, but that’s just like reading comics too! With the exception of random continuity reboots, these characters’ stories don’t end, you just stop reading them. So again, Batman v Superman has accidentally invoked the experience of reading comics.

Batman v Superman is not a great film, but by having little-to-no character backstories, and quite possibly no future prospects, it has perfectly invoked the experience of reading a comic book. In this way, it is quite possibly the perfect comic book film.

Categories
Technology Video

The Future of the VFX Industry

Today is apparently Future Day, a day on which we’re supposed to spend some time contemplating the future. Well, nothing makes me contemplate the future more than movies, especially movies with plenty of visual effects.

Just take a moment to imagine your favorite film without visual effects. Suddenly, films like Life of Pi don’t look very inspiring without their visual effects.

lifeofpi

Despite many of our films being largely composed of visual effects shots, the visual effects industry is still paid by the studios for the job as a whole before production even begins, not for how many hours it may take to create (and repeatedly revise, if necessary) the sets, characters, and sometimes whole worlds that they create for the film.¬†Picture for a moment, a massive hand-build set. The Director probably won’t tear down the set, re-build it, and re-shoot the scenes just because he changed his mind, as the set builders and most of the rest of the crew are paid hourly, and what seems like such a simple decision could vastly impact the film’s budget. If that set were digital, the director could easily change his mind and have everything re-done (even have the actors digitally re-positioned within the new set if necessary) free of charge and as often as he wants to, simply because the visual effects studio was paid maybe $10 million for the job as a whole, not hourly. $10 million seems like a lot of a money, but for a visual effects studio which may find itself re-building the same shot hundreds of times for an indecisive director, it’s more likely that they’ll either have to layoff staff or go into debt just to finish the film.

This is a reality that Rhythm and Hues Studios faced last year when they declared bankruptcy just two weeks after winning their second Academy Award for Life of Pi, and they aren’t the only one. Every year, more visual effects studios are shutting their doors because movie studios don’t pay to the scale of the projects. Below is the short documentary Life After Pi, which covers the problem in-depth, particularly the fate of Rhythm and Hues Studios.

As you think about the future today, think about how films with visual effects have shaped your ideas of the future, think about how the future of the VFX industry is in jeopardy if the movie studios aren’t pressured to change, and then take action. Also, if you’re near Hollywood tomorrow, join the march at the Academy Awards to show your support.